This module describes paper and its composition, and gives significant dates in the history of papermaking. Both inherent and environmental agents of deterioration and their effects on the longevity of paper are covered. Examination and documentation procedures are discussed and a wide range of preventive conservation topics is presented and addressed specifically to works of art on paper. Interventions including surface cleaning, repair, and proper mounting of works are explored through demonstrations and hands-on sessions. Framing and glazing materials are also introduced.
Upon completion of this module, participants will be able to:
Composition and Identification Description of paper and how it is made, along with some of the significant dates in the history of papermaking. Comparison of the characteristics of various types of paper. Basic information relating to different artists' materials and techniques.
Deterioration Deterioration of cellulose and how this affects the longevity of paper. Inherent agents of deterioration in the paper manufacturing process. Common external agents of deterioration. Signs of deterioration.
Handling, Examination, and Documentation Proper handling techniques for loose works, matted works, and framed art on paper. Removal of artwork from a frame. Examination of works of art on paper. Condition reports.
Preventive Conservation Preventive conservation and its role in the preservation of cultural heritage. Information on and procedures for a wide range of preventive conservation topics (specifically addressing the preservation concerns of works of art on paper whenever possible): light, environmental conditions, security, fire protection, handling, maintenance, storage, exhibition, packing and transit, pest management, and disaster preparedness and response.
Interventions Preventive conservation interventions including surface cleaning, making wheat starch paste, minor tear repair, and matting and hinging works of art on paper. Framing and glazing materials for works of art on paper. Demonstrations and hands-on sessions.
Target Audience Museum and gallery staff, volunteers, curators responsible for works of art on paper, and artists.
Facilitator(s) Sherry Guild
Language English (written materials available in both official languages)
Enrollment Limits Minimum 10; maximum 18
Duration 2 days
This workshop concentrates on the delivery of material from Units 1, 2, 3, and 5. At the request of the host facility, preventive conservation can be covered but it would be at the expense of the hands-on sessions for Interventions.
In combination with this workshop it may be possible to present an evening lecture on the permanence of artists' materials for local artists.
